" Commuplication "
( festival motto 2009)
( festival motto 2009)
Everyone knows that there is a permanent happiness only in Rosamunde Pilcher films and in the imagination of dubious trash novels. In real life, is the pure feeling of happiness rather rare in pop music and a bit less. Maybe we would not notice if we do not have to look with a magnifying glass, waiting could bring it to the limit of the moment the full.
There are many different things that affect each of us in a peculiar way, upset, move. For some it is a reunion with his friend at the airport, the first day in a foreign country, the first vegetarian sausage after 4 years of abstinence. Others in turn get their ration happiness and satisfaction of music, from chords, melodies, harmonics, voices and rhythms.
a music event like the Haldern Pop Festival bursting regularly only seems like thinking and celebration worthy moments of happiness, environment, locations and atmosphere are excellent indicators as well as the conservative organization. For 26 years, matures in Haldern a stable team that always enters into ventures in order to preserve the quality of the festival or even to raise.
You can feel the experience and the safe handling of artists, technology and Spectators at every turn, the concept has seasoned than ever, but never lacks an amateurish and carefully cultivated charm, lie down on the leaders and visitors great value. While a lot worse than at other major festivals on the motto "a lle year again " can leave, brought the Haldern their fans regularly small or large exciting, with some even for concern degenerating changes and innovative ideas in the eyes of some of the reliability of the Festivals scratch. This year, a striking number of singer / songwriter recorded, for some visitors of Schedule F: Type bearded melancholic at the guitar. In the run were increased calls for roaring guitars, raging riffs and a massive drum machine loud. Short, we asked for true-blue skirt. What appeared to some as a shortcoming has been for most of a red thread that matched the Haldern with the sunny weather this year, on a perfectly round and made a coherent weekend. It takes a healthy dose of self-confidence and courage at a festival - and I mean a mass event - the focus on the quieter, slightly less to place in pop music, and not to shy away from artists like Bon Iver and the surprisingly modest and sometimes insignificant Noah And The Whale to be on the main stage, always with complete confidence in a civilized and appreciative audience. The gamble paid off, the performances of the highly musical Andrew Bird , William Fitzsimmons (forthcoming in the lights-Interview) and were Bon Iver adopted despite some confusing program change well and fits in perfectly with the snotty and experimental sets, which of course was also in sufficient numbers. Once and for sure very many defining moment was in the afternoon sun playing Bon Iver, who delivered in complete silence in the audience a very intimate and intense concert, and left him with the audience the impression of a completely unaffected man and musician, who in Haldern as the Fist on the proverbial eye in years.
This year there was as usual again some returners on the stage, the perfect festival band turned out on Saturday morning, the Maccabees , with a new album and his usual charm in the luggage was their performance a highlight of the weekend. Similarly Anna Ternheim that was with full band line-up and (unfortunately impossible) as a background singer urgently and authentic as alone at the piano. offered more atmospheric and memorable concerts Wintersleep , Woodpigeon and Grizzly Bear , three rising young bands that deserve the turmoil in good faith in order to and can not afford escalating psychedelic experiments and song lengths without being boring.
remains With so much artistic potential and the absolutely successful combination of the bands just one question: What did they look fat bread to headlining and closing concerts at the Halder stage? Similar to Jan Delay two years ago matched the appearance of the Hamburg party in the proletarian not otherwise so crystal clear concept and the mood of the weekend. Nevertheless, the Haldern
was again a place to be happy, be it for the poured Popwasser, the shower in front of the stage, the lake, the sun, the mirror tent canvas or just for the chorus, the final chord or the beard of the singer.
We'll be back!
photo:
haldern pop
There are many different things that affect each of us in a peculiar way, upset, move. For some it is a reunion with his friend at the airport, the first day in a foreign country, the first vegetarian sausage after 4 years of abstinence. Others in turn get their ration happiness and satisfaction of music, from chords, melodies, harmonics, voices and rhythms.
a music event like the Haldern Pop Festival bursting regularly only seems like thinking and celebration worthy moments of happiness, environment, locations and atmosphere are excellent indicators as well as the conservative organization. For 26 years, matures in Haldern a stable team that always enters into ventures in order to preserve the quality of the festival or even to raise.
You can feel the experience and the safe handling of artists, technology and Spectators at every turn, the concept has seasoned than ever, but never lacks an amateurish and carefully cultivated charm, lie down on the leaders and visitors great value. While a lot worse than at other major festivals on the motto "a lle year again " can leave, brought the Haldern their fans regularly small or large exciting, with some even for concern degenerating changes and innovative ideas in the eyes of some of the reliability of the Festivals scratch. This year, a striking number of singer / songwriter recorded, for some visitors of Schedule F: Type bearded melancholic at the guitar. In the run were increased calls for roaring guitars, raging riffs and a massive drum machine loud. Short, we asked for true-blue skirt. What appeared to some as a shortcoming has been for most of a red thread that matched the Haldern with the sunny weather this year, on a perfectly round and made a coherent weekend. It takes a healthy dose of self-confidence and courage at a festival - and I mean a mass event - the focus on the quieter, slightly less to place in pop music, and not to shy away from artists like Bon Iver and the surprisingly modest and sometimes insignificant Noah And The Whale to be on the main stage, always with complete confidence in a civilized and appreciative audience. The gamble paid off, the performances of the highly musical Andrew Bird , William Fitzsimmons (forthcoming in the lights-Interview) and were Bon Iver adopted despite some confusing program change well and fits in perfectly with the snotty and experimental sets, which of course was also in sufficient numbers. Once and for sure very many defining moment was in the afternoon sun playing Bon Iver, who delivered in complete silence in the audience a very intimate and intense concert, and left him with the audience the impression of a completely unaffected man and musician, who in Haldern as the Fist on the proverbial eye in years.
This year there was as usual again some returners on the stage, the perfect festival band turned out on Saturday morning, the Maccabees , with a new album and his usual charm in the luggage was their performance a highlight of the weekend. Similarly Anna Ternheim that was with full band line-up and (unfortunately impossible) as a background singer urgently and authentic as alone at the piano. offered more atmospheric and memorable concerts Wintersleep , Woodpigeon and Grizzly Bear , three rising young bands that deserve the turmoil in good faith in order to and can not afford escalating psychedelic experiments and song lengths without being boring.
remains With so much artistic potential and the absolutely successful combination of the bands just one question: What did they look fat bread to headlining and closing concerts at the Halder stage? Similar to Jan Delay two years ago matched the appearance of the Hamburg party in the proletarian not otherwise so crystal clear concept and the mood of the weekend. Nevertheless, the Haldern
was again a place to be happy, be it for the poured Popwasser, the shower in front of the stage, the lake, the sun, the mirror tent canvas or just for the chorus, the final chord or the beard of the singer.
We'll be back!
photo:
haldern pop
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