Example Of Community Services

кожа [Lebensborn]

Lebensborn challenges and brings his listeners to the limits of what one would like to expect of himself. For with Lebenbsborn pulls кожа the receiver down in the shade-black abyss that our society today, as well as in the past has to offer. Lebensborn brings a heart into everything, before the easier it is to close the eyes.

" There is no control of what can not be controlled. "
(meat markets II)

With Lebensborn titled the Nazis homes, concealed in which "genetically healthy", "pure" children were born. Goal behind it was to grow towards an "Aryan" race. An absurd and oppressive projects. Equally depressing is spreading Lebensborn of self-standing as the second album by the musician and producer Mirco Dalos, the first as Koza and now under the name кожа (Russian: skin) works. Music He is assisted by one of his own called so is biomass of musicians, where they are for the most part he has already produced by artists.

yourself Lebensborn means to approach primarily involved content. Musically it just missed its meaning. For in seven plays кожа leads in seven abysses, into which the listener is directed with subtlety and very clear. The music does it almost in the background, but is still present and well chosen. It is difficult to grasp. Each piece has not only in content but also its own musical character. Sometimes gloomy, sometimes stomping, sometimes crawling, sometimes harshly. Each different Singer supported this idea further.

In the first gulf (Meridian) precipitated blindly and has no idea how deep is the case. First, Adorno speaks in a kind of prologue to the almost impossibility of real art in the world managed by the European civil protection in the form of the Holocaust. There can be no real art without addressing what has happened. And according to Adorno, it creates almost no one to face this Hinsches. But then was watching and told. To pounding rhythm of the birthday of a little boy. It's about serious child abuse and the hell that may be a family. And the scars that never really Disappear. to suspect that a load is processed to autobiographical memories in this text, it can withstand a little, which pushes into the ears. It is perhaps the hardest in, one can choose for a CD. Do not want to hear any more is a great boost. But in connection with the words of Adorno Meridian replaced after repeated listening, a wider question, which acts on the CD out. Is that intentional abnormal 'but in a managed and controlled world, and is then itself child abuse as tolerated, but controlled niche? And if so, who benefits then? Something that everyone must answer for himself. Lebensborn devoted to the seemingly abnormal, while the normal managed and it becomes clear how the boundaries between them are milky.

After Meridian the plate is different. Not easy, not bright, she will never, but different. Melodious, musical. The themes remain depressing. The wanted man without identity standardized (Lebensborn) , the indoctrination by the media available dirt (Your Televangelist) , the decay of human relations (sound fingers) . In
Fearsome Free Zone mix seemingly innocuous folk songs with eyewitness statements about the Treblinka concentration camp as well as excerpts from an interview with Raul Hilberg, a grotesque view of what people are willing to drive out, even though it is so clearly before them.

кожа is not afraid to lay the finger of social criticism in the wound but foregoes to stretch out the moral index finger in the air. On the contrary, calls Lebensborn the listeners out not only service and sound to let it get in touch with what is heard apart and finally ask the question themselves. For it is certainly not objectionable to decide against Lebensborn . Sometimes you can connect anything other than the eyes. Sealed. Because there is always something threatening to see out to hear back. But ultimately, we are experienced enough to know that, before you close your eyes, yet there is.
photo:

кожа
"live born"
datafile music , cd 2009
кожа